About:
Hello! I am an NJ based content creator who is comfortable wearing multiple hats within the video production world. Working as a cinematographer, gaffer, or grip/electric- I have over 12 years of professional experience working with major clients and brands.
As a Director of Photography I have spent the last 9 years freelancing for the Dotdash Meredith Corporation (formerly Time Inc), helping to achieve distinctive looks for their in studio branded content. A pertinent example is EW’s “Couch Surfing,”- a retrospective series where celebrities provide commentary about the roles that shaped and defined their careers. In addition to being a DP for Meredith's daily web content, I am also responsible for many other aspects of video production in their live, cyc, and kitchen studios, including: robotic camera operation, lighting, audio mixing, media management, crew oversight, and occasionally directing talent.
As a Director of Photography I have spent the last 9 years freelancing for the Dotdash Meredith Corporation (formerly Time Inc), helping to achieve distinctive looks for their in studio branded content. A pertinent example is EW’s “Couch Surfing,”- a retrospective series where celebrities provide commentary about the roles that shaped and defined their careers. In addition to being a DP for Meredith's daily web content, I am also responsible for many other aspects of video production in their live, cyc, and kitchen studios, including: robotic camera operation, lighting, audio mixing, media management, crew oversight, and occasionally directing talent.
As a gaffer and lighting technician I’ve been able to travel across the country with two different shows on the Oprah Winfrey Network. On “Oprah Prime,” I worked with a lighting director to rig celebrity homes for interviews with Oprah. Similarly, as a gaffer on “Iyanla, Fix My Life,” I worked with the Director of Photography to achieve a minimally invasive and natural look with the lighting, allowing the host to freely roam the shooting location. I’ve also had the chance to be more creative and experimental with lighting for music videos such as Modern Baseball’s “Your Graduation,” or We Are The In Crowd’s “Manners.”
Working in the G&E department has also afforded me a lot of different opportunities. I’ve been able to work on feature films, commercial work, PSA’s, and everything in between. When I’m not working you can find me digging through crates at the local record shop, shooting film, or watching an Eagles game.
Working in the G&E department has also afforded me a lot of different opportunities. I’ve been able to work on feature films, commercial work, PSA’s, and everything in between. When I’m not working you can find me digging through crates at the local record shop, shooting film, or watching an Eagles game.